brk hsby

message - archive - etc

3D transforms are supported in newer browsers.

vittubl:

story of my life

vittubl:

story of my life

(Source: antbekesogiedra)

letargos:

Output 5, from the portfolio Output 1978
by Joseph Beuys

letargos:

Output 5, from the portfolio Output 1978

by Joseph Beuys

bb ;-(

bb ;-(

(Source: let-your-spirit-soar)

Rebecca Horn
Untitled, 2009 acrylic, pencil, color pen on paper paper: 15 3/4 x 11 7/8 inches (40 x 30 cm) framed: 24 3/8 x 19 5/8 inches (62 x 50 cm) signed and dated, recto RH-1044
 Sean Kelly Gallery

Rebecca Horn

Untitled, 2009
acrylic, pencil, color pen on paper
paper: 15 3/4 x 11 7/8 inches (40 x 30 cm)
framed: 24 3/8 x 19 5/8 inches (62 x 50 cm)
signed and dated, recto
RH-1044

Sean Kelly Gallery

(Source: yama-bato)

(Source: lepasau-dela)

Joseph Beuys
Fat Chair, 1964

Joseph Beuys

Fat Chair, 1964

(Source: untitledblogproject)

Semiotext(e), schizo culture, 1975 — we’re speechless at this lineup (and wondering about the ‘schizo-party’ goings-on). Some sort of turning point. Great as well to see Ti-Grace Atkinson there alongside the rest.

Semiotext(e), schizo culture, 1975 — we’re speechless at this lineup (and wondering about the ‘schizo-party’ goings-on). Some sort of turning point. Great as well to see Ti-Grace Atkinson there alongside the rest.

(Source: grupaok)

Fashion is not art. The aims of fashion and art are different and there is no need to compare them.

—Rei Kawakubo 

(Source: omyt, via 666111000)

(Source: yimmyayo, via simplisticman)

(Source: kellykikuchi)

Issey Miyake from ‘Making Things’ 

Issey Miyake from ‘Making Things’ 

(via utaupe)

Christian Rizzo, 1999
Objet dansant à définir
100% polyester
“A line hangs between the back and the proscenium where two dresses hang from a moving metallic structure, their long sleeves sewn together. Two raw dresses, see-through, inlaid with interlaced artificial hair which recalls vegetal fibres. Fans start one after the other while the mobile goes slowly along the line. The dresses begint to have a floating movement, almost imperceptible, then move lightly, until they lift up and turn round on themselves. Between light and shadow –subtly organised by Cathy Olive elegance, delicacy, a device with an hypnotic effect.”
carole bodin, mouvement april / june 2000

Christian Rizzo, 1999

Objet dansant à définir

100% polyester

“A line hangs between the back and the proscenium where two dresses hang from a moving metallic structure, their long sleeves sewn together. Two raw dresses, see-through, inlaid with interlaced artificial hair which recalls vegetal fibres. Fans start one after the other while the mobile goes slowly along the line. The dresses begint to have a floating movement, almost imperceptible, then move lightly, until they lift up and turn round on themselves. Between light and shadow –subtly organised by Cathy Olive elegance, delicacy, a device with an hypnotic effect.”

carole bodin, mouvement april / june 2000

(Source: vroomheid, via metalburger)

Anonymous: OLIVIA PALERMO, IN A BAD WAY

Serge Gainsbourg and Jane Birkin 

Serge Gainsbourg and Jane Birkin 

(Source: wandrlust)

grupaok:

William Pope. L, Harriet Tubman Spinning the Universe, 1992, peanut butter, charcoal, joint compound, collage, acrylic paint, 10×15’. 

grupaok:

William Pope. L, Harriet Tubman Spinning the Universe, 1992, peanut butter, charcoal, joint compound, collage, acrylic paint, 10×15’.